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Current Work

Chris' current work spans three distinct bodies of art that, despite differing in appearance and materials, explore the interplay between media, societal norms, gender roles, and the concept of home. Our definition of home, shaped by lived experiences, influences our search for belonging. It is my theory that when we redefine home—moving beyond media and generational trauma to an intuitive understanding—our sense of identity transforms.

Past work

Urban Escapes explores the urban environment through a lens attuned to the overlooked, the intimate, and the ephemeral. Each photograph focuses on the subtle details that shape the rhythm of city life: the ignored street performer, fleeting conversations, the juxtaposition of historical architecture with graffiti or modern interventions, and quiet corners imbued with unexpected beauty.

 

Lies we tell ourselves

Lies We Tell Ourselves (2022-present) examines the enduring impact of twentieth century advertising on the roles, expectations, and ambitions of modern female identifying persons. 

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The best nest

The Best Nest examines the shifting concept of 'home' as it evolves through different phases of life, viewed through the lens of intersectional feminism. Utilizing a range of three-dimensional media, the series explores the interplay between our perceptions of home, our identity, and the search for belonging. By considering how factors such as gender, culture, and lived experience shape and redefine our understanding of home, the work invites viewers to reflect on its significance as both a personal sanctuary and a site of broader social and cultural dynamics.

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Home at Last

This body of work delves into the concept of 'home,' exploring its essence and emotional resonance through abstraction. Drawing inspiration from a 37-acre flower farm that has become a source of renewal and connection, these works reflect my personal journey of finding belonging and grounding in this space. By translating this experience into visual form, I invite the viewer to engage with the intangible yet universal qualities of home—its capacity to comfort, inspire, and restore.

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Urban Escapes

This series seeks to capture the energy and vitality inherent in large urban centers while reflecting on the passage of time and the evolving narratives of contemporary society. Through photography, I aim to reveal the interplay between permanence and transformation, offering a nuanced perspective on the urban landscape as a living, dynamic entity.

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© 2025 Chris Chrysler  All Rights Reserved.

"I would like to express my gratitude to all the First Nation, Métis and Inuit who have been traditional and contemporary stewards of this land we call Canada.

I acknowledge that I live and create on the traditional territory of the Anishinaabe, Kanien'Kehaka, Haudenosaunee, and Oneida Peoples, as well as the Upper Canada Treaties that bind us together. I pay my respects to Elders past, present, and emerging, and recognize their deep connection to Turtle Island and their tireless efforts in caring for and preserving this land since time immemorial.  As an artist and visitor on this land, I understand my responsibility to uplift Indigenous voices where possible, and I am committed to deepening my understanding of local Indigenous peoples and their cultures."

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